Showing posts with label kite. Show all posts
Showing posts with label kite. Show all posts

12.30.2012

cloudblot sketches

 for kites imagined, but not yet made

collected in early 2012

















6.22.2012

in flight

 Remember the tiny inkblot kite I made?
Here it is flying on a blustery evening just as the sun set.



The soundtrack is by a new favorite band, DVA, who sweetly granted permission to use their song "lala" which matches so well the feeling of flying this little kite. Both make me deliriously happy.
Song is taken from album Botanicula soundtrack (2012)
Music and lyrics written by DVA © 2dva.cz 
Please support them, buy song/album here: dva2.bandcamp.com

6.30.2011

Kiteline

Some of you may remember the call to artists I mentioned in December. Since then my print has been completed, shipped, sparred for flight by kitemaker Scott Skinner, and sent onto to Japan.

Despite all the terrible tragedy that visited Japan at the beginning of the year, some things resolutely stayed on course; in March, the print show opened in Kyoto at the 6th Kyoto International Washi Association Exhibition and in the beginning of June showed again at the 1st International Mokuhanga Conference in Kyoto. My print joins a group of other print and kitemakers' work as well as some innovative larger kitework by Yoshizumi Nobuhiko (who also makes very small kites, some only a few mm in size) and Scott Skinner's own work. The show will travel a bit more this year before retiring.

It's a bit of a thrill for me to know my work has traveled a world away and has a long journey ahead of it before finding a new home.

Erin Curry Kiteline
Kiteline (in process)
13" diameter
woodblock print on mulberry paper

Though I've explored the image of a tangle for a long while, it resonants particularly well for a kite as anyone who has noted a pile of line at a flier's feet. When in the sky, this kite reflects what is on the ground, mediated by a thread and the hand holding the the line between them.

The composition for the print was created by sketching with ready-made cotton line dropped from above as it might be in flying a kite and recording my favorites until I settled on one to make. Tempting as it was to use handspun for my sketches as I do with Specimens, I refrained, as it seemed most appropriate to use line that the kite would fly on to maintain gestural symmetry. 

This above/below symmetry mediated by the hand shows up in my Spindle drawings too, albeit less visibly in the completed works. During creation of the drawings, I draw the image from above the prepared paper which lays horizontally. The roving of wool is tamed into a line by hand and the spindle holding a piece of graphite below it draws a roving line into chaotic masses.

My to-do list includes sparring and bridling one of the extra prints of Kiteline and flying it myself soon. In the proper circumstances the sun will illuminate the kite from behind, and the tangle will glow through paper left bare of ink.

For now here's a few images from the printing of:


This printing ink smells divinely of burnt linseed oil.

 When counterspace ran out, the oven became a drying rack.



Further Reading:
Scott Skinner reflects on process, the exhibit, and presents more of the submitted prints in Kitelife magazine here.

5.10.2010

sky fluff


We found this little guy in our garden yesterday and decided to take it for a fly. It trembled mightily as we tethered it carefully with silk thread and burst forth from our opened hands. After following the fluff for a time and then coaxing it to better currents, we bid farewell as it floated above the townhouse walls around us.

i think it's a thistle seed.

7.01.2009

tangle wallet

A recent gift of a handmade wallet from one friend to another resulted in a frenzy of wallet making among the rest of us to create our own. The materials are those found in my kitemaking friend's studio: cuben fiber. Cuben is a cloth made of spectra fibers laid down and then laminated together. It's incredibly strong, translucent, and just needed to have a tangle captured in it.
The tangle above is a test tangle using industrial sewing thread; the final tangle is silk thread pulled from the margins of a bit of silk scrap. The wallet design itself is one Tim adapted from a bank paper wallet.


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