Cedar Key, FL
This past weekend we visited the coast with some family. While archeological evidence suggests human occupation of Cedar Key as far back as 500 B.C, between hurricanes and isolation, it seems to hover between here and gone. This ghost house sat abandoned to the currents just outside the one we stayed in onshore. We fished facing it, a constant reminder of our tidal presence here.
A recent gift of a handmade wallet from one friend to another resulted in a frenzy of wallet making among the rest of us to create our own. The materials are those found in my kitemaking friend's studio: cuben fiber and insignia cloth. Cuben is a cloth made of spectra fibers laid down and then laminated together. It's incredibly strong, translucent, and just needed to have a tangle captured in it.
The tangle above is a test tangle using industrial sewing thread; the final tangle is silk thread pulled from the margins of a bit of silk scrap. 
In an effort to recover, at least momentarily, from sweet camera lust, I've been combing through images made with my trusty point and shoot. These were taken while hiking in North Carolina last August.
My studio, a veritable jungle of fibers and tools, occasionally reveals a restful moment. Here a beginning tangle drawing, linen canvas, a wool bit and a recent experiment in spinning find themselves in close proximity. 
This little seductive lock of wool has been around for a long while now, and is one of the early seeds that began my whole thread of work. Above it, hangs something quite new, a yarn of folk legend.
Feather and silk handspun together become an artifact of the Crane Wife, an old Japanese tale. The Decemberists first brought this story to me through three songs:
They tell of a poor man wandering through a snow-covered wood, who comes upon a crane with an arrow in its wing. He removes the shaft and with a grateful bow, the bird flies away. He returns to his humble home and a beautiful woman knocks on his door to ask for shelter. She stay,s and they are soon married. After a time of living in poverty with him, she begins to weave cloth to sell in the marketplace, but she weaves in complete solitude with the express wish that no one looks in on her. The cloth she presents to him to sell is of such exquisite quality that it almost seems to glow and the price her husband receives for it exceeds all expectation.
They live in relative wealth for a time until the day comes when their finances run short and she begins her clandestine weaving again. She finishes and he again sells it, but a local merchant offers to commission yet another bolt of cloth which the young man does not refuse. The young woman appears thin and tired, but returns to her loom once again. The villagers by now begin to wonder about her and tease her husband for letting her weave alone with her secrets. He, being curious himself and reckless from the neighbor's prodding, finally disobeys her and looks in her studio. What he sees causes him to gasp, for at the loom is a beautiful crane, plucking her feathers one by one and weaving them into the cloth. When she realizes his transgression, she gives him a long sorrowful look and flies through the window, never to be seen again.
There are, as with most traditional stories, many variations; in most common variation, the crane becomes the adopted daughter of an elderly childless couple, but it is the tale of the wife with her secret and great skill that I prefer. A proper telling of the story eludes me, most have been diluted through summary retellings or children's versions, and I'd like to find a more detailed or more poetic rendering.
This yarn seems like pure air, when thrown it floats down in a light tangle, and as it does I imagine the cloth the Crane Wife presented to the world. This little bit found a home with a weaver who recently took me under her wing and showed me the way to prepare a loom for my own weaving.
Some more pictures from the magic camera. Meet my brother and his sketchbook.
She's a study for a larger work.
Colin has some incredibly beautiful sketchbooks: all handbound, rich imagery and a very different style from my own. It's only relatively recently that has he's struck out into making larger work and I look forward to seeing the results. Visit his blog and pester him to post more work.
a system of stations- graphite powder, layout
waiting layers carefully kept separate before joining the stack
during installation
as the angle and light sifts more can be seen
